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Everything Naomi Loved

Everything Naomi Loved Named one of the best PBs of 2020

Everything Naomi Loved is the first book I’ve ever co-authored. It was a great experience and resulted in something totally different from what I normally write, which is really refreshing. Now Betsy Bird, one of my favorite librarians, has named it one of the best picture books of 2020!

Here’s what she had to say: “What do you do when everything starts to go away? Naomi’s block isn’t pretty but it’s alive! So when changes come from the outside, she needs help finding some way to hold onto what’s gone. Hm. Long story short, this is probably the best book on how gentrification affects kids I’ve ever seen. It’s a book with a mission but it’s also, at its heart, a book about change and methods we can use to accept that change. It’s funny how cheery it is considering that Naomi loses a LOT of what she loves in the course of things. I also can’t stop thinking about it. Probably a sign that it’s pretty good. “

If you’d like to see the other amazing books she named Best of 2020, you can follow the link here: https://blogs.slj.com/afuse8production/2020/12/31/31-days-31-lists-2020-…

The Fabled Life of Aesop

Fabled Life of Aesop Wins American Folklore Society’s Aesop Award!

I am very (very!) proud to announce that my book, The Fabled Life of Aesop, has been awarded the American Folklore Society’s Aesop Award, for excellence in children’s literature in 2020. Here’s their announcement:

“The Fabled Life of Aesop retells many of Aesop’s most famous stories, but it is much more than just a collection of well-known fables. This collection frames Aesop’s fables with the story of Aesop’s life as a slave who finds power and ultimately freedom through his stories. Connecting the fables that are familiar to nearly everyone with the context of Aesop’s life as a slave who finds stories can help him navigate the precarious life of a slave while still dispensing wisdom to those in power deepens our understanding of not just the stories but their rhetorical purposes.

This book teaches about Aesop, about the ancient world, about power and the power of rhetoric, and does it all with simple stories. Beautifully illustrated in acrylics on wood and watercolor and mixed media, the art echoes the many layers of meaning and art going on in Aesop’s life, his fables, and this wonderful book. The Fabled Life of Aesop is indeed well deserving of the Aesop Prize.”

To read more about this award, and to read about the other fantastic books nominated in that category, follow this link: https://childrensfolklore.org/2020-winners/

The Fabled Life of Aesop

Kirkus Starred Review For Aesop!

From Kikus:

“Messages both overt and hidden in the life and preserved wisdom of an enslaved storyteller.

Yes, Lendler acknowledges, Aesop’s fables are generally interpreted as “simple lessons on virtue and good values,” but on closer looks, “many of them are actually practical advice on how to survive in a world in which some have power and some do not.” As evidence, he selects 13 to retell—most (“The Ant and the Grasshopper,” “The Boy Who Cried Wolf”) well known, others, such as “The Donkey and the Lapdog” and “The Lion and the Statue,” less so. Some are embedded in an imagined account of Aesop’s life based on legends from later centuries. In this narrative, the child of enslaved parents learns to speak “in code,” impresses one master but is sold to a second, and, after some years, wins freedom at last with the story of a wolf who would rather go hungry than be collared like a dog. Zagarenski places light-skinned, delicately expressive humans and graceful animals (the latter often in anthropomorphic dress and postures) into golden-toned settings. The book is highlighted by a lyrical trio of climactic freedom scenes in which morals, titles, and lines from fables become decorative elements, swirling exuberantly through dense crowds of figures. Morals printed in gold add further sumptuous notes to the tersely rendered fables.

Lovely art comes with unusual perspectives on familiar tales about lions, mice, and trickster foxes. (afterword, bibliography) (Folktales. 7-10)”

The First Dinosaur

Award Round-up for First Dinosaur

Hello All!

It’s been awhile since I’ve posted here, but I needed to share some very nice things have been said (and been awarded) to my book, The First Dinosaur. Just in the last month, it was named :

–Kirkus Best of 2019
–A National Science Teacher Award for best books of 2019 (I’m REALLY proud of this one)
–An Orbus Pictus Recommended Title
–Golden Kite Honor Award
–and as you can see from the image, it won the Cybil Award for Best Middle-Grade Non-Fiction

Whew!

As a writer, I tend to be somewhat embarrassed about big-upping my books, but The First Dinosaur has gotten some really good press so I had to share! I hope everyone who reads this enjoys it as well.

The Absolutely, Positively No Princesses Book

Author in Action…

Here’s the thing…when reading a picture book, an author has to go above and beyond the call of duty.

Also, I live in mortal fear of children being bored when I read, hence the…well…whatever you call this outfit!

This is me reading from my newest book THE ABSOLUTELY POSITIVELY NO PRINCESSES BOOK.

The Absolutely, Positively No Princesses Book

Midwest Book Reviews loves The Absolutely Positively No Princesses Book

Man, when you come up with a long title for a book, it seems like a lot of fun. But then, you suddenly find yourself typing it over and over again for titles of articles like this one. Now I kinda yearn for an acronym to save me time. I guess the acronym for this would be TAPNPB. Or maybe TAPPB. Or maybe I can create an acronym for the acronym and simply call it APP. But then people might confuse me with a tech company and demand I code things for them and I can barely post this on my website, so…my point is, here’s a nice review of my newest book from the Midwest Book Review:

“Some kids like frills and sparkles and bows and lots of pink. And some don’t. The girl who started “The Absolutely, Positively No Princess Book” is sure that she wants a story full of nature and adventure. But when a princess barges into the pages with her own opinions about what makes for a good story, the two learn that they each have something to offer. Together they make the best story of all. A delightfully entertaining picture book for children ages 4 to 9, “The Absolutely, Positively No Princesses Book” will prove to be an immediate and enduringly popular addition to family, daycare center, preschool, elementary school, and community library picture book collections.

One Day a Dot

A lovely review from Kirkus for ONE DAY A DOT

You don’t often get reviews this nice, especially from Kirkus *cough cough*. In particular, this was written by Julie Danielson, who if you don’t know her, is worth following. She has the great children’s book blog Seven Impossible Thing Before Breakfast.

Anyway, here’s the review:

“Author Madeleine L’Engle once wrote that, if she has something complex to say, something too difficult for adults to accept, then she writes it in a book for children. She added, “Children still haven’t closed themselves off with fear of the unknown, fear of revolution, or the scramble for security.” I think the best children’s book authors know this, including the authors and illustrators of the two books here today.

Ian Lendler’s One Day a Dot: The Story of You, the Universe, and Everything, illustrated by Shelli Paroline and Braden Lamb, is a picture book attempting, in part, to capture for preschool readers nothing less than the Big Bang and the line it follows to modern-day existence. Readers follow the formation of the stars, planets, and universe as a whole to first life; to creatures on water and land; to humans; to civilization; to technology; to now. Using simple language and concepts, Lendler makes accessible to the youngest of readers this story of life, and the illustrators use repeated circular patterns (it all begins with a dot, after all) and busy, but never overwhelming, compositions to animate it.

But in my mind the beating heart of this book is the question it poses at its close, one of wonder and mystery. And it is one that it just so happens I was trying to articulate to my own children recently—and failing spectacularly in doing so. For this reason, I may have yawped a little happy yawp when I read Lendler’s book for the first time.

By “mystery” I mean this: We know about the Big Bang. (Thanks, observational astronomy and particle physics.) We know how it all began. But what was before that? What is beyond the outer edges of it? Could there be something? You can easily imagine how I rambled incoherently as I tried to express this question to my children. I’m no Plato. Celestial mechanics are not my strong point. (As a child, I used to wonder about the same thing, trying to imagine if there were, anywhere, an end to the big, wide universe.)

But here’s what Lendler does that happens to capture the metaphysical ramblings bouncing around haphazardly in my brain: He opens the book with “One day a dot appeared.” After that, the creation of life ensues — nearly 40 pages of it, as described above. But on the final page? We see an illustration of a child drawing a dot on paper, and we read that humans have gotten to the point where they are pretty clever, but “there was one question that they could not answer … Where did that first dot come from?” The end.

BOOM. Yes. That is what I meant but couldn’t say. (Thanks, Lendler.) It gives me chills to read, and it may very well do the same for the children with whom you share this book. Most definitely, it will be a conversation-starter. One day, a dot. The next day, captivating cosmological conversations.”

One Day a Dot

Hey, Y’all! I’m in Entertainment Weekly!

Due to great laziness, there are looooong gaps between me posting updates. However, every once and a while enough coolness comes along that simply forces me to alert the world:

I’m in EW this week! They did a cover reveal of my picture book that will be coming out in Spring 2018: One Day A Dot.

Here’s the link: http://ew.com/books/first-second-spring-2018-cover-reveal/may-22-2018one…

The book will be about the history of…well…everything. The universe (the big bang), life on earth (evolution), and you. And I crammed it all into 36 pages. And thanks to the insane talents of the married dup of Braden Lamb and Shelly Paroline (the Eisner-winning illustrators of Adventure Time), it looks GREAT.

I can’t wait for this one.

I’ll post more soon, I promise. Not because I’m suddenly less lazy, but simply because there’s a lot happening in terms of books coming out, so I’ll be forced to!

Later.

xoxo
Ian

Coutndown to Saturday

Saturday is here! The reviews are in….

Hey y’all!

So Saturday is here. It’s real. It exists, and some reviews are in. I thought I’d just leave there here on the table:

Booklist said:

“Bloch’s childlike cartoons cultivate a chaotic atmosphere well matched by Lendler’s playful story of an egocentric child in a carefree world. The contrast between the character’s uncomplicated (but havoc-wreaking) mindset and the weariness of the parents is uproarious. A bittersweet note closes this lively celebration of Saturdays.”

And whoever at School Library Journal was reviewing my book must have been enjoying a glass of wine when they wrote this review because I’m positively blushing:

“Saturday is a great day to play and pretend and have fun with family. In this tongue-in-cheek picture book, a boy revels in the joys of the weekend: reading a stack of books with his dad, playing spies with his little brother, and going to birthday parties. Each of the activities he loves, however, has a less enjoyable side for his parents, who are woken up early on their day off and are responsible for the three family meals a day; by dinner, the boys are shown sitting in front of a shoe on a plate as their parents finally put their feet up in the background. Just when it seems like Saturday is finally over, the boy announces, “Tomorrow is Sunday and we can do it all over again!” The juxtaposition of the text and pictures is charming, with the sweet-faced boy blissfully unaware of the work he’s creating for his parents. The simplicity of the retro-looking pencil and digital illustrations perfectly complements the innocence of the main character. Young readers will relate to the joy of a weekend and be tickled by the boy’s antics, and grown-ups will recognize the fun, and the reality, of free time spent with little kids. VERDICT A clever selection that is worth reading, on Saturday or any day of the week. Children will want to pore over the humorous artwork again and again.”

Daaaaaaaamn! I’ll take that.

By the way, if you follow me on twitter, you may have noticed that my feed has been uhhhh “professionalized” a bit by some witty, gorgeous art promoting the Saturday book. For that, I have to give a big old air-kiss (MWAH!) and thank you to the National Laureate of Adorableness and all-around nice person, Salina Yoon. We writers are generally a solipsistic sort, but for some reason, Salina decided to hatch up ideas to help my promote my book and then she actually contributed art! WHO DOES THAT?! Crazy people, that’s who.

So there. I said it. Salina Yoon is the nicest, kindest crazy person I’ve ever met in publishing. Thanks, Salina!

Whoever is reading this, I hope you like the book. Writing it meant a lot to me because it’s based slightly (okay, entirely) on my two boys and me. And to have that illustrated by someone as talented as Serge Bloch is an awe-inspiring experience.

Thanks for reading.